Bibliothèque

PLATO. c.380 BC. Timaeus 68.

ARISTOTLE. i.384-322 BC. Meteorologica, book III. English translation by W. S. Hett, (Cambridge, Massachusetts: Harvard University Press,1936).

ARISTOTLE. i.384-322 BC. De anima, book II. English translation by W. S. Hett, « On the soul », in Aristotle: On the soul, Parva naturalia, On breath (Cambridge, Massachusetts: Harvard University Press, 1936).

ARISTOTLE. i.384-322 BC. De sensu et sensibilia. English translation by W. S. Hett, « On sense and sensible objects », in Aristotle: On the soul, Parva naturalia, On breath (Cambridge, Massachusetts: Harvard University Press, 1936).

ARISTOTELIC SCHOOL. i.322-269 BC. De coloribus. English translation by W. S. Hett, « On colours », in Aristotle: Minor works (Cambridge, Massachusetts: Harvard University Press, 1936).

GROSSETESTE, Robert. c.1230. De colore. Published in Beiträge zur Geschichte der Philosophie des Mittelalters, vol. IX (Münster, Germany, 1912).

GROSSETESTE, Robert. c.1230. De iride seu de iride et speculo. Published in Beiträge zur Geschichte der Philosophie des Mittelalters, vol. IX (Münster, Germany, 1912).

ALBERTI, Leon Battista. 1435. De pictura. English translation, « Of Painting », in The architecture of Leon Batista Alberti, ed. Giacomo Leoni (London: Edward Owen, 1755). English translation by John R. Spencer, On painting (New Haven, Connecticut: Yale University Press, 1956).

LEONARDO DA VINCI. i.1490-1516. Trattata della pittura, based on the Codice Vaticano Urbinate 1720 (Roma: Unione Cooperative Editrice, 1890). English translation by Philip McMahon, Treatise on painting (Princeton, New Jersey: Princeton University Press, 1956).

TELESII, Antonio. 1528. De iride et coloribus (Venezia: Opera).

MORATO, Fulvio Pellegrino. 1535. Del significato de’ colori e de’ mazzolli (Venezia).

DOLCE, M. Ludovico. 1565. Dialogo … nel quale si ragiona della qualità, diversità e proprietà dei colori (Venezia).

TELESII, Bernardino. 1570. De colorum generatione opusculum (Napoli).

FREISCHER, J. 1571. De iridibus doctrina Aristotelis et Vitellionis (Vitembergae).

SAVOT, Louis. 1609. Nova, seu verius nova antiqua de causis colorum Sententia (Paris).

DOMINIS, M. Antonius. 1611. De radiis visus et lucis in vitris perspectivis et iride (Venezia).

FORSIUS, Sigfrid. 1611. Physica, manuscript in the Royal Library, Stockholm. Published in Acta Bibliothecae Stockholmiensis, 1971.

AGUILONIUS, Franciscus. 1613. Opticorum libri sex (Antwerp, Belgium: Plantin).

MAUROLYCUS. 1613. De lumiere et umbre (Lugd).

DESCARTES, René. 1637. De meteoris.

MARCI, J. M. 1648. Thaumantias, liber de arcu coelesti, deque clorium apparentium natura ortu et canusis (Praga).

KIRCHER, Athanasius. 1646. Ars magna lucis et umbrae (Roma).

CARDANO, Gerolamo. 1663. « De gemmis et coloribus », in Opera omnia, 10 vols. (Lyon), vol. II, chap. X.

BOYLE, Robert. 1664. Experiments and considerations touching colours (London: Henry Herringman). Facsimilar reprint, with introduction by Marie Boas Hall (New York: Johnson Reprint Corporation, 1964).

GRIMALDI, Francisco Maria. 1665. Physico-mathesis de lumine, coloribus et iride (Bononiae).

NEWTON, Isaac. 1672. « A new theory about light and colours », Philosophical Transactions of the Royal Society VI (80), February, 3075-3087.

BRENNER, Elias. 1680. Nomenclatura et species colorum (Stockholm).

MARIOTTE, Edme. 1681. Essai de la nature des couleurs (Paris).

ZAHN, Johannes. 1685. Oculis Artificialis Teledioptricus Sive Telescopium (Würzburg, Germany).

HUYGENS, Christian. 1690. Traité de la lumière (Leiden, The Netherlands).

PILES, Roger de. 1699. Dialogue sur le coloris (Paris).

NEWTON, Isaac. 1704. Opticks: or, a treatise of the reflections, refractions, inflections and colours of light (New York: Dover Publications, 1952, based on the 4th edition, London, 1730).

MAYER, Tobias. 1722. De affinitate colorum commentatio, manuscript. Published posthumously in G. C. Lichtenberg, ed., Opera inedita, vol. I (Göttingen, Germany: Dieterich, 1775).

LE BLON, Jacob Christoph. 1725. Coloritto; or the harmony of colouring in painting, reduced to mechanical practice (London).

ALGAROTTI, Francesco. 1737. Il newtonianismo ovvero dialoghi sopra la luce, i colori e la attrazione (Napoli, 1746).

CASTEL, Louis Bertrand. 1740. L’optique des couleurs, fondée sur les simples observations et tournée surtout à la pratique de la peinture, de la teinture et des autes arts coloristes (Paris).

BOUGUER, Pierre. a.1758. Traité d’optique sur la gradation de la lumière, posthumous edition arranged by Nicolas Louis de la Caille (Paris:

H. L. Guerin & L. F. Delatour, 1760). English translation by W. E. Knowles Middleton, Pierre Bouguer’s optical treatise on the gradation of light (Toronto: University of Toronto Press, 1961).

D’ARCLAIS DE MONTAMY, Didier. 1765. Traité des couleurs pour la peinture en émail et pour la porcelaine (Paris).

HARRIS, Moses. 1766. Natural system of colours (London: Laidler). Facsimile reprint by Faber Birren (New York: Van Nostrand Reinhold, 1963).

LAMBERT, Johann Heinrich. 1772. Beschreibung einer mit dem Calauschen Wachse ausgemalten Farbenpyramide (Berlin: Hande and Spener).

PRIESTLEY, Joseph. 1772. The history and present state of discoveries relating to vision, light and colours, 2 vols. (London: Johnson).

SCHIFFERMÜLLER, Ignaz. 1772. Versuch eines Farbensystems (Wien: A. Bernardi).

PALMER, George. 1777. Theory of colours and vision (London: S. Leacroft).

CARVALHO E SAMPAYO, Diogo de. 1787. Tratado das cores (Malta).

WÜNSCH, Christian Ernst. 1792. Versuch und Beobachtungen über die Farben des Lichts (Leipzig: Breitkopf).

BANCROFT, Edward. 1794. Experimental researches concerning the philosophy of permanent colours, 2 vols. (London). (Philadelphia, 1814).

DELAVAL, Edward Hussey. 1797. Recherches expérimentales sur la cause des changements des couleurs (Paris).

DALTON, John. 1798. « Extraordinary facts relating to the vision of colours: with observations », Memoirs and Proceedings of the Literary and Philosophical Society of Manchester 5, 28-45.

VENTURI, G. B. 1800. Indagine fisica sui colori (Modena).

YOUNG, Thomas. 1801. « On the theory of light and colours », Philosophical Transactions of the Royal Society of London 92, part I, 1802, 12-48.

YOUNG, Thomas. 1802. « An account of some cases of the production of colours, not hitherto described », Philosophical Transactions of the Royal Society of London 92, part II, 387-397.

RUMFORD, T. B. 1804. Recherche sur la couleur (Paris).

GOETHE, Johann Wolfgang von. 1808-1810. Materialien zur Geschichte der Farbenlehre, Zur Farbenlehre, 2 vols. (Tübingen: Cotta). English

translation by Charles Lock Eastlake, Goethe’s theory of colours (London: Murray, 1840). American edition arranged by Rupprecht Matthaei and translated by Herb Aach, Goethe’s color theory (New York: Van Nostrand Reinhold, 1971).

SOWERBY, James. 1809. A new elucidation of colours, original, prismatic and material (London).

RUNGE, Philipp Otto. 1810. Die Farbenkugel, oder Konstruktion des Verhältnisses aller Mischungen der Farben zu einander, und ihrer vollständigen Affinität (Hamburg: F. Perthes).

WERNER, Abraham G. 1814. Werner’s nomenclature of colors, ed. by Patrick Syme (London: William Blackwell and T. Caddell).

FIELD, George. 1817. Chromatics, or, an essay on the analogy and harmony of colours (London).

READE, Joseph. 1818. Experimental outlines for a new theory of colours, light and vision (London: Longman, Hurst, Rees, Orme and Brown).

HERSCHEL, John. 1823. « On the absorption of light by coloured media, and on the colours of the prismatic spectrum exhibited by certain flames », Transactions of the Royal Society of Edinburgh XII.

PURKINJE, Johann. 1825. « Beobachtungen und Versuch zur Physiologie der Sinne », Zweites Bändchen: Neue Beiträge zur Kenntniss des Sehens in subjectiver Hinsicht, Berlin, 192-.

HAYTER, Charles. 1826. A new practical treatise on the three primitive colours (London).

SCHOPENHAUER, Arthur. 1830. Theoria colorum physiologica (Leipzig: Redam).

BREWSTER, David. 1831. « On a new analysis of solar light, indicating three primary colours, forming coincident spectra of equal lenght », Transactions of the Royal Society of Edinburgh XII, 123-136.

FECHNER, Gustav T. 1834. Elemente der Psychophysik (Leipzig: Breitkopf & Härtel).

FIELD, George. 1835. Chromatography or a treatise on colours and pigments (London: Charles Tilt).

PORTAL, P. P. Frederic de. 1837. Des couleurs symboliques dans l’antiquité, le moyen âge et les temps modernes (Paris: Treuttel et Wurz).

BREWSTER, David. 1838. A treatise on optics (London and Philadelphia: Lea & Blanchard)

FECHNER, Gustav T. 1838. « Über eine Scheibe zur Erzeugung subjectiver Farben », Annalen der Physik, 2nd series 45 (15), 227-232.

HOWARD, Frank. 1838. Colour as a means of art (London).

CHEVREUL, M. Eugène. 1839. De la loi du contraste simultané des couleurs et de l’assortment des objets colorés (Paris: Pitois-Levrault). English translation, The principles of harmony and contrast of colours (London: Longman, Brown, Green and Longmans, 1854).

HAY, David R. 1845. A nomenclature of colours, hues, tints and shades (Edinburgh, Scotland).

HAY, David R. 1845. The principles of beauty in colour systematized (Edinburgh, Scotland: William Blackwood and Sons).

HAY, David R. 1847. The laws of harmonius colouring, adapted to interior decorations (London).

JONES, O. 1852. An attempt to define the principles which should regulate the employment of colour in the decorative arts (London: G. Barclay).

LINTON, William James. 1852. Ancient and modern colors from the earliest periods to the present time: with their chemical and artistical properties (London: Longman, Brown, Green, and Longman).

GRASSMANN, Hermann Günter. 1853. « Zur Theorie der Farbenmischung », Poggendorf Annalen der Physik und Chemie 89, 69-84. English translation, « On the Theory of Compound Colors », Philosophical Magazine S.4, 7 (45), April 1854, 254-264.

REDGRAVE, R. 1853. An elementary manual of colour, with a Catechism: to be used with the diagram illustrating the harmonious relations of colour (London: Chapman and Hall).

SYREENI, O. 1853. Standards for colours and basic colour substances (Helsinki).

DELF, Thomas. c. 1855. The principles of colouring in painting (London: Winson & Newton).

MAXWELL, James Clerk. 1855. « Experiments on colour as perceived by the eye, with remarks on colour- blindness », Transactions of the Royal Society of Edinburgh XXI, part 2, 275-298.

WILSON, George, ed. 1855. Researches on colour blindness (Edinburgh, Scotland).

MAXWELL, James Clerk. 1856. « Theory of the perception of colours », Transactions of the Royal Scottish Society of Arts 4, 394-400.

MAXWELL, James Clerk. 1857. « Account of experiments on the perception of colour », Philosophical Magazine, July, 40-47.

MAXWELL, James Clerk. 1860. « On the theory of compound colours, and the relations of the colours of the spectrum », Philosophical Transactions of the Royal Society of London 150, part I, 57-84. Reprinted in Color Research and Application 18 (4), 1993, 270-287.

CHEVREUL, Michel Eugène. 1861. « Exposé d’un moyen de définir et nommer les couleurs, d’après une méthode précise et expérimentale », inMem. de l’Institut, Académie des Sciences XXXIII, Paris.

CHEVREUL, M. Eugène. 1864. Des couleurs et de leurs applications aux arts industriels à l’aide des cercles chromatiques (Paris: Ballière).

BRÜCKE, Ernest. 1866. Die Physiologie der Farben für die Zwecke der Kunstgewerbe (Leipzig). 2nd ed. (Leipzig: Hirzel Verlag, 1887).

HELMHOLTZ, Hermann L. F. 1866. Handbuch der Physiologischen Optik (Hamburg: Verlag von Leopold Voss). English translation from the 3rd German edition (1909), Treatise on physiological optics, ed. James P. C. Southall, 3 vols. (The Optical Society of America, 1924-1925). Republication, 2 vols. (New York: Dover, 1962).

GEIGER, L. 1867. Ueber den Farbensinn der Urzeit (Frankfurt).

ROESLER, R. 1868. Zur Etymologie der Farbenbezeichnungen auf dem romanischer Sprachgebiete (Wien).

DUCOS DU HAURON, Louis. 1869. Les couleurs en photographie. Solution du problème (Paris).

RAYLEIGH, Lord (John William Strutt). 1870. « On the light from the sky: its polarization and colour ».

CHURCH, Arthur Herbert. 1871. Colour, an elementary manual (London).

MAXWELL, James Clerk. 1872. « On colour vision », Proceedings of the Royal Institution of Great Britain 6, 260-271.

BEZOLD, Wilhelm von. 1873. « Ueber das Gesetz der Farbenmischung und die physiologischen Grundfarben », Poggendorf Annalen 150, 221-247.

BEZOLD, Wilhelm von. 1874. Die Farbenlehre in Hinblick auf Kunst und Kunstgewerbe (Braunschweig, Germany: Westermann). English translation, The theory of color in its relation to art and art-industry (Boston: L. Prang and Co., 1876).

HOLMGREN, Alarik F. 1877. Om Färbenblindheten i dess Förhållande till Jernvögstrafken och Sjöväsendet (Uppsala: E. Berlings). French translation, De la cécité des couleurs dans ses rapports avec les chemins de fer et la marine (Stockholm: Imprimerie Central, 1877).

MAGNUS, Hugo. 1877. Die Geschichtliche Entwickelung des Farbensinnes (Leipzig: Von Veit).

BABBIT, Edwin D. 1878. The principles of light and color, ed. by Faber Birren (New Hyde Park, New York: University Books, 1967).

FICK, Adolf. 1878. « Zur Theorie der Farbenblindheit », Arbeiten aus dem physiologischen Laboratorium der Würzburger Hochschule IV, Lieferung S.213.

GLADSTONE, W. E. 1878. Der Farbensinn mit besonderer Berüchsichtigung der Farbenkenntniss des Homer (Breslau).

HERING, Ewald. 1878. Zur Lehre vom Lichtsinne (Wien: Carl Gerold’s Sohn). English translation by Leo M. Hurvich and Dorothea Jameson, Outlines of a theory of light sense (Cambridge, Massachusetts: Harvard University Press, 1964).

KRIES, Johannes von. 1878. « Contribution to the physiology of visual sensations », Archiv für Anatomie und Physiologie, Physiology section, 2, 505-524.

ALLEN, Grant. 1879. The colour-sense, its origins and development (London: Trubner & Co.).

MAGNUS, Hugo. 1879. Die methodische Erziehung des Farbensinnes (Breslau: Kern).

MARTY, Anton. 1879. Die Frage Nach der Geschichtlichen Entwickelung des Farbensinnes (Wien: Drud un Verlag von Carl Gerlod’s Sohn).

ROOD, Ogden N. 1879. Student’s textbook of color; or Modern chromatics, with applications to art and industry (New York: Appleton). New edition with notes by Faber Birren (New York: Van Nostrand, 1973).

MAGNUS, Hugo. 1880. Untersuchungen über den Farbensinn der Naturvölker (Jena: F. Fisher).

MUCKLEY, William. 1882. A handbook for painters and art students on the character, nature and use of colours (London).

RAYLEIGH, Lord (John William Strutt). 1882. « Experiments on colour », Nature 25, 64-66.

CROCKER, Lucretia. 1883. Lessons on colour in primary schools (Chicago).

MAGNUS, Hugo. 1883. Über ethnologische Untersuchungen des Farbensinnes (Berlin: Carl Habel).

RIDGWAY, Robert. 1886. A nomenclature of colors for naturalists (Boston: Little, Brown).

JOURNAL OF THE SOCIETY OF DYERS AND COLOURISTS. 1887 – today.

CHARPENTIER, Augustin. 1888. La lumiére et les couleurs au point de vue physiologique (Paris: Baillière).

DELITZCH, Franz J. 1888. Iris. Farbenstudien und Blumenstücke (Leipzig: Dorffling & Franke). English translation by Alexander Cusin, Iris: Studies in coloor and talks about flowers (Edinburgh: T. & T. Clark, 1889).

VECKENSTEDT, Edmund. 1888. Geschichte der griechischenb Farbenlehre: Das Farbenbezeichnungen der griechischen Epiker von Homer bis Quintus Smyrnäus (Paderborn: F. Schöningh).

HENRY, C. 1889. Cecle chromatique présentant tous les compléments et toutes les harmonies de couleurs (Paris).

BRADLEY, Milton. 1890. Color in the school room (Springfield, Massachusetts).

EWALD, A. 1890. Die Farbenbewegund kulturgeschichtliche Untersuchungen (Berlin: Weidman).

LACOUTURE, Charles. 1890. Répertoire chromatique; solution raisonnée et pratique des problèmes les plus usuels dans l’étude et l’emploi des couleurs (Paris: Gauthier-Villars).

ABNEY, William de Wiveleslie. 1891. Colour measurement and mixture (London: Society for Promoting Christian Knowledge).

EBBINGHAUS, H. 1893. « Theorie des Farbensehens », Zeitschrift für Psychologie und Physie 5, 145-.

GUAITA, Luigi. 1893. La scienza dei colori e la pittura (Milano: Hoepli).

KÖNIG, A., and C. DIETERICI. 1893. « Die grundempfindungen in normalen und abnormalen Farbensystemen und ihre Intensitätsverteilung im Spektrum », Zeitschrift für Psychologie und Physiologie 4, 241-347.

LOVIBOND, Joseph W. 1893. Measurement of light and colour sensations (London: George Gill and Sons).

PRANG, Louis. 1893. Color instruction (Boston).

TIVOLI, A. 1893. I colori nelle locuzioni italiane (Torino).

ABNEY, William de Wiveleslie. 1894. Colour vision: Being the Tyndall lectures delivered in 1894 at the Royal Institution (London: S. Low, Marston, 1895).

MAUTHNER, Ludwig. 1894. Farbenlehre (Wiesbaden, Germany).

MAYCOCK, Mark. 1895. A class-book for color teachers (Buffalo, New York).

CHACE, Helena. 1896. Practical color work for primary and ungraded schools (Springfield, Massachusetts).

BONACINI, Carlo. 1897. La fotografia dei colori (Milano: Hoepli).

DUCOS DU HAURON, Louis. 1897. La triplice photographique des couleurs et l’imprimerie, système de photochromographie (Paris).

GARBASSO, A. 1898. Lezioni sperimentali sulla luce, considerata come fenomeno elettromagnetico (Milano: Hoepli).

PRATT, Alice Edwards. 1898. The use of color in the verse of the English romantic poets (Chicago: The University of Chicago Press).

OTT, André G. 1899. Étude sur les couleurs en vieux français (Paris: E. Bouillon).

ABNEY, William de Wiveleslie. 1900. « The colour sensations in terms of luminosity », Philosophical Transactions of the Royal Society of London A 193, 259-287.

CROSS, Anson Kent. 1900. Color study, a manual for teachers and students (Boston).

HURST, George Henry. 1900. Colour, a handbook of the theory of colour (London).

IVES, Frederic Eugene. 1900. « The optics of trichromatic photography », Photographic Journal 40, 99-121.

LOEWENTHAL, Wilhelm M. 1901. Die slavischen Farbenbezeichnungen (Leipzig: A. Preis).

WARD, James. 1902. Colour harmony and contrast for the use of art students (London).

WILLMS, Johannes E. 1902. Eine Untersuchung über den Gebrauch der Farbenbezeichnungen in der Poesie Altenglands (Munich: J. Krick).

WOOD, Francis A. 1902. Color-names and their congeners: a semasiological investigation (Halle: Max Niemeyer).

JODIN, André. 1903. Etude comparative sur les noms des couleurs (Paris: Chevalier-Marescq).

MAYER, Arthur. 1903. Uber die Abhängigkeit der Farbenschwellen von der Adaptation (Freiburg, Germany: Speyer & Kaener).

UDINE, Jean d’. 1903. L’orchestration des couleurs: analyse, classification et synthèse mathématique des sensations colorées (Paris).

OSTWALD, Wilhelm. 1904. Malerbriefe: Beitrage zur Theorie und Praxis der Malerei (Leipzig: S. Hirzel). English translation, Letters to a painter on the theory and practice of painting (Boston: Ginn & Co., 1907).

SCHULTZ, Wolfgang. 1904. Das Farbenempfindungssystem der Hellenen (Leipzig: J. A. Barth).

WILEY, W. 1904. Influence of artificial colours on digestion and healt (Washington).

FRAUNHOFER, Joseph. 1905. Beistimmung des Brechungs – und Farbenzerstreuungsvermögens verschiedener Glasarten in Bezug auf die Vervollkommnung achromatischer Fernröhre (Leipzig).

MUNSELL, Albert Henry. 1905. A color notation, 1st-4th ed. (Boston: Ellis), 5th ed. and ff. (Baltimore, Maryland: Munsell Color Company, 1946).

PREVIATI, Gaetano. 1906. I principi scientifici del divisionismo (Torino: Bocca).

ROSMANIT, J. 1907. Zur Farbsinnprüfung im Eisenbahn-und Marinedienste (Wien: Wilhelm Braumüller).

KLINCKSIECK, Paul, and Th. VALETTE. 1908. Code des couleurs (Paris).

KATZ, David. 1911. Der Aufbau Der Farbwelt, 2nd ed. of Die Erscheinungsweisen Der Farben Und Ihre Beeinflussung Durch Die Individuelle Erfahrung (Leipzig: Verlag von Johann Ambrosius Barth, 1930). English translation by R. B. MacLeod and C. W. Fox, The world of color (London: Kegan, Paul, Trench, Trubner, and Co. 1935).

BAUMANN, P., and O. PRASE. 1912. Baumann-Prase Farbenkarte (Leipzig: Unesma).

BEAUMONT, R. 1912. Color in woven design, being a treatise on the science and technology of textile colouring, 2nd ed. (London: Whittaker).

KÖLLNER, Hans. 1912. Die Störungen des Farbensinnes (Berlin: Karger).

RIMINGTON, Alexander Wallace. 1912. Colour-music, the art of mobile colour (London: Hutchinson & Co.).

RIDGWAY, Robert. 1912. Color standards and color nomenclature (Washington: The author).

ROSS, Denman Waldo. 1912. On drawing and painting (Boston: Houghton Mifflin).

ABNEY, William de Wiveleslie. 1913. Researches in colour vision and the trichromatic theory (London: Longmans, Green).

ROSENTHIEL, C. 1913. Traité de la couleur au point de vue physique, physiologique et esthétique (Paris: Dunod et Pinat). 2nd ed. updated by J. Beaudeneau (Paris: Dunod, 1934).

THOMPSON, Silvanus P. 1914. Radiations visibles et invisibles (Paris).

CARPENTER, Henry Barrett. 1915. Suggestions for the study of colour (Rochdale, Lancashire).

LUCKIESH, Matthew. 1915. Color and its applications (New York: D. Van Nostrand).

PARSONS, John Herbert. 1915. An introduction to the study of colour vision (Cambridge, England: Cambridge University Press). 2nd ed. 1924.

PHILIPPS, Lisle March. 1915. Form and colour (London: Duckworth).

LUCKEY, Bertha M. 1916. The specific brightness of colors (Lincoln, Nebraska: The University of Nebraska).

MACH, Ernst. 1916. Die Prinzipien der physikalischen Optik, posthumous edition (Leipzig: J. A. Barth, 1921). English translation by John S. Anderson and A. F. A. Young, The principles of physical optics (New York: Dover, 1926).

NAMIAS, Rodolfo. 1916. La fotografia in colori, l’autocromia, ecc. (Milano).

OSTWALD, Wilhelm. 1916. Die Farbenfibel (Leipzig: Unesma). English version edited by Faber Birren, The color primer; a basic treatise on the color system of Wilhelm Ostwald (New York: Van Nostrand Reinhold, 1969).

BOUASSE, H. 1917. Vision et reproduction des formes et des couleurs (Paris).

OSTWALD, Wilhelm. 1917. Die Farbenlehre, I-V (Leipzig: Unesma). Authorized English translation with introduction and notes by J. Scott Taylor, Colour science, 2 vols. (London: Windsor and Newton, 1931- 1933).

OSTWALD, Wilhelm. 1917. Der Farbenatlas (Leipzig: Unesma).

OSTWALD, Wilhelm. 1918. Goethe, Schopenhauer und die Farbenlehre (Leipzig).

WEINBERG, Lois. 1918. Color in everyday life (New York: Moffat, Yard, and Co.)

OSTWALD, Wilhelm. 1919. Der Farbkörper (Leipzig: Unesma).

RICCIARDI, Achille. 1919. Il teatro del colore (Milano: Facchi).

VERANI, Giovanni. 1919. Combinazione e armonia dei colori (Milano).

LUCKIESH, Matthew. 1920. The language of colors (New York: ISCC).

OSTWALD, Wilhelm. 1920. Der Farbnormenatlas (Leipzig: Unesma).

SCHRÖDINGER, Erwin. 1920. « Grundlinien einer theorie der Farbenmetric im Tagessehen » I, II, III, Annalen der Physik 63, 397-456, 481-520.

MUNSELL, Albert Henry. 1921. A grammar of color, arranged and with texts by T. M. Cleland (Mittineague, Massachusetts: Strathmore Paper Company).

OSTWALD, Wilhelm. 1921. Die Grundlagen der messenden Farbenlehre (Leipzig: Barth).

PEDDIE, W. 1922. Colour vision (London: Arnold).

SCHUMANN, K. B. 1922. Die Farben als Charackterisierungsmittel in den Dichtungen des Vergil und Horaz (Erlangen: University of Erlangen).

ADAMS, E. Q. 1923. « A theory of colour vision », Psychology Review 30, 56-76.

BOIGEY, Maurice de. 1923. La science des couleurs et l’art du peintre (Paris: Alcan). English translation, The science of colour and the art of the painter (London, 1925).

HOUSTOUN, Robert A. 1923. Light and colour (London: Longmans, Green, and Co.).

SARGENT, Walter. 1923. The enjoyment and use of color (Charles Scribner’s Sons). Republished with revisions and new material (New York: Dover, 1964).

MÜLLER, G. E. 1924. Darstellung und Erklärung der verschiedenen Typen der Farbenblindheit nebst Erörterung der Funktion des Stabchenapparates sowie des Farbesinns der Biene und der Fische (Göttingen, Germany: Vandenhoeck und Ruprecht).

RINALDI, Luigi. 1924. Estetica scientifica delle combinazioni dei colori con speciale applicazione alle arti industriali (Biella).

COLLINS, Mary. 1925. Colour blindness (New York: Harcourt, Brace and Co.).

JACOBS, Michael. 1925. The study of color, with lessons and exercises (New York).

SCHRÖDINGER, Erwin. 1925. « Über das Verhältnis der Vierfarben zur Dreifarbentheorie », Sitzungsberichte Kaiserliche Akademie Wissenschaften, Wien (IIa) 134, 471-490. English translation, « On the relationship of four-color theory to three-color theory », Color Research and Application 19 (1), 1994, 37-47.

SCHRÖDINGER, Erwin. 1926. « Die Gesichtsempfindungen », in Müller-Pouillets Lehrbuch der Physik, 2nd ed., vol. 2 (Brunswick, Germany: Vieweg).

BRÜCKNER, A. 1927. « Zur Frage der Eichung von Fabensystemen », Zeitschrift für Sinnesphysiologie 58, 322-362.

LEVENGOOD, S. L. 1927. The use of color in the verse of the Pleiade (Paris: Presses Universitaires de France).

MEYER, K. 1927. Die Bedeutung der weissen Farbe im Kultus der Griechen und Römer (Freiburg im Breisgau: K. Henn).

OVIO, Giuseppe. 1927. La scienza dei colori. Visione dei colori (Milano: Ulrico Hoepli).

SARGENT, Frederick Le Roy. 1927. Working system of color for students of art and nature (New York).

WALLACE, Florence E. 1927. Color in Homer and in ancient art, Smith College Classical Studies 9 (Northampton, Massachusetts: Smith College).

RANKIN, Herbert. 1928. Simple lessons in colour (London).

REISER, Oliver L. 1928. The alchemy of light and color (New York: W. W. Norton & Co.).

DIMMICK, F. L. 1929. « A reinterpretation of the color-pyramid », Psychological Review 36, 83-90.

LADD-FRANKLIN, Christine. 1929. Colour and colour theories (New York: Harcourt, Brace & Co.).

MUNSELL COLOR COMPANY. 1929. Munsell book of color (Baltimore, Maryland: Munsell Color).

POPE, Arthur. 1929. An introduction to the language of drawing and painting (Cambridge, Massachusetts: Harvard University Press).

HECHT, Selig. 1930. « The development of Thomas Young’s theory of colour vision », Journal of the Optical Society of America 20 (5), May, 231-270.

KLEIN, A. B. 1930. Color music: the art of light (London: Crosby Lockwood).

MAERZ, Aloy John, and Paul M. REA. 1930. A dictionary of color (New York: Mc Graw-Hill). 2nd ed. 1951.

MÜLLER, G. E. 1930. « Über die Farbenempfindungen », Zeitschrift für Psychologie und Physiologie der Sinnesorgane 17, 1-430, and 18, 435-647.

GUILD, J. 1931. « The colorimetric properties of the spectrum », Philosophical Transactions of the Royal Society of London A 230, 149-187.

KUBELKA, P., and F. MUNK. 1931. « Ein Beitrag zur Optik der Farbanstriche », Zeitschrift für Technische Physik 12, 593-601.

HOUSTON, Robert A. 1932. Vision and colour vision (London: Longman’s, Green, and Co.).

KONDRATZKY, P. P. 1932. Fundamentals of colorstatics (Kalinin).

OVIO, G. 1932. La vision des couleurs (Paris: Alcan).

PHYSICAL SOCIETY OF LONDON. 1932. Discussion on vision, articles by Guild, Richardson, et al. (London: The Physical Society).

ANDERSON, Anna Marie. 1933. Syllabus of design and color (New York).

BRAGG, William Henry. 1933. The universe of light (New York: The Macmillan Company).

GALE, A. V. 1933. Children’s preferences for colours. Colour combinations, and colour arrangements (Chicago: University of Chicago Press).

MacMORLAND, Arthur. 1933. Colour: Theory and practice for schools and colleges (London).

ADROGUE, Esteban. 1934. La visión de los colores (Buenos Aires: El Ateneo).

BIRREN, Faber. 1934. Color dimensions; creating new principles of color harmony and a practical equation in color definition (Chicago: The Crimson Press).

BRITISH COLOUR COUNCIL. 1934. Dictionary of colour standards, 2 vols. (London).

ROBERTS, Michael, and Ebenezer R. THOMAS. 1934. Newton and the origin of colours (London: G. Bell and Sons).

ALLEN, Arthur. 1935. The teaching of colour in schools (London).

JUDD, Deane B. 1935. « A Maxwell triangle yielding uniform chromaticity scales », Journal of Research of the National Bureau of Standars 14, 41-57.

TONKS, Oliver Jesse. 1935. Colour practice in schools (London).

HARDY, A. C. 1936. Handbook of colorimetry (Cambridge, Massachusetts: The MIT Press).

SÉGUY, E. 1936. Code universel des couleurs (Paris: Lechevalier).

SNELL, F. D., and C. T. SNELL. 1936. Colorimetric methods of analysis (New York: Van Nostrand Reinhold).

JOHANSSON, Tryggve. 1937. Färg (Stockholm: Lindfors Bokförlag AB).

SOUTHALL, James P. C. 1937. Introduction to physiological optics (London: Oxford University Press).

BARBIERI, C. Antonio. 1938. La estética de la visión y del color; sus fundamentos científicos (Buenos Aires: A. López).

BURRIS-MEYER, E. 1938. Historical color guide (New York: William Helburn).

FEDOROV, N. T. 1938. Course of general color science (Gonti).

LUCKIESH, Matthew. 1938. Color and colors (New York: Van Nostrand Reinhold).

NICKERSON, Dorothy. 1938. Use of ICI tristimulus values in disk colorimetry (Washington: Department of Agriculture, Bureau of Agricultural Economics).

FRIELING, Heinrich. 1939. Die Sprache der Farben (Munich: Callwey).

WRIGHT, William David. 1939. The perception of light (New York: Chemical).

McDONALD, Sterling B. 1940. Color; how to use it (Chicago: Follet Book Co.).

RICHTER, Manfred. 1940. Grundriss der Farbenlehre der Gegenwart (Dresden: Theodor Steinkopff).

AMERICAN SOCIETY FOR TESTING MATERIALS and INTER-SOCIETY COLOR COUNCIL. 1941. Symposium on color – its specification and use in evaluating the appearance of materials, Washington, March 5, 1941 (Philadelphia, Pennsylvania: American Society for Testing Materials).

BIRREN, Faber. 1941. The story of color (New York: Crimson Press).

GRAVES, Maitland. 1941. The art of color and design (New York: McGraw-Hill).

MAYIZEL, S. O., and E. S. RATNER. 1941. Computations and measurings in the field of coloristics (Gosenergoizda).

PODESTA, H. 1941. Der ordnungswissenschaftliche Aufbau des Farbenkörpers (Stuttgart: Ferdinand Enke).

ROOD, Roland. 1941. Color and light in painting (New York: Columbia University Press).

HILER, Hilaire. 1942. Color harmony and pigments (Chicago).

HUNTER, Richard S. 1942. Photoelectric triestimulus colorimetry with three filters, circular 429 (Washington: National Bureau of Standards).

MacADAM, David L. 1942. « Visual sensitivities to color differences in daylight », Journal of the Optical Society of America 32, 247-274.

GRANIT, Ragnar. 1943. « A physiological theory of color perception », Nature 151, 11-14.

NICKERSON, Dorothy. 1943. A psychological color solid (New York: American Institute of Physics).

MacADAM, David L. 1944. « On the geometry of color space », J. Franklin Institut 238, 195-210.

MÜLLER, Aemilius. 1944. Das ABC der Farben (Zurich).

PRASE, O. 1944. Vorschläge und Versuche zu einer Universalfarbtonkarte auf Grund von Farbkreiselmessungen, ausgeführt mit Nagrafarben (Lössnitz).

WRIGHT, William David. 1944. The measurement of color (London: Adam Hilger). 2nd ed. (New York: Macmillan, 1958). 3rd ed. (Princeton, New Jersey: Van Nostrand, 1964). 4th ed. 1969.

BIRREN, Faber. 1945. Selling with color (New York: McGraw-Hill).

BOUMA, Pieter Johannes. 1945. Kleuren en Kleurendrukken (Amsterdam: Meulenhoff). English translation, Physical aspects of colour (Eindhoven, The Netherlands: N. V. Philips Gloeilampenfabrieken, 1948). 2nd English ed., edited by W. de Groot, A. A. Kruithof, and J. L. Ouweltjes (London: Macmillan, 1971).

WALD, G. 1945. « Human vision and the spectrum », Science 101, 653-658.

BOUMA, Pieter Johannes. 1946. « Die Grassmannschen Gesetze der Farbmischung », Physica 12, 545-552.

MÜLLER, Aemilius. 1946. Schweizer Farbenkombinator (Winterthur, Switzerland).

WILLMER, Edward N. 1946. Retinal structure and colour vision (London: Cambridge University Press).

WRIGHT, William David. 1946. Researches on normal and defective colour vision (London: Henry Kimpton).

ABBOT, A. G. 1947. The color of life (New York: McGraw-Hill).

GRANIT, Ragnar. 1947. Sensory mechanisms of the retina (London: Oxford University Press).

VILLALOBOS-DOMINGUEZ, C., and Julio VILLALOBOS. 1947. Atlas de los colores (Buenos Aires: El Ateneo).

EVANS, Ralph M. 1948. An introduction to color (New York: John Wiley & Sons).

FARNSWORTH, D. 1948. Farnsworth-Munsell 100-hue test (New York: Psychological Corporation).

JACOBSON, Egbert. 1948. Basic Color; an interpretation of the Ostwald color system (Chicago: Paul Theobald).

JACOBSON, Egbert, Walter C. GRANVILLE, and Carl E. FOSS. 1948. Color harmony manual (Chicago: Container Corporation of America).

LUNKEVITCH, V. V. 1948. Colours and forms of animate nature (Selkhozgiz).

PHYSICAL SOCIETY OF LONDON, COMMITTEE OF THE COLOUR GROUP. 1948. Report on colour terminology (London: The Physical Society).

PIRENNE, Maurice Henri. 1948. Vision and the eye (London: Chapman & Hall).

PLOCHERE, G., and l. PLOCHERE. 1948. Plochère color system (Los Angeles: G. et G. Plochère).

ANDRÉ, Jacques. 1949. Étude sur les termes de couleur dans la langue latine (Paris: C. Klincksieck).

HALBERTSMA, K. J. A. 1949. A history of the theory of colour (Amsterdam: Swets & Zeittlinger).

HARTRIDGE, H. 1949. Colours and how we see them (London: G. Bell and Sons).

KOUWER, J. 1949. Colors and their character, a psychological study (The Hague: M. Nijhoff).

LÜSCHER, Max. 1949. Psychologie der Farben. Einführung in den psychosomatischen Farbtest (Basel, Switzerland: Test-Verlag).

POLYAK, Stephen. 1949. « Retinal structure and color vision », Documenta Ophtalmologica 3, 24-46.

POPE, Arthur. 1949. The language of drawing and painting (Cambridge, Massachusetts: Harvard University Press, 1949).

WRIGHT, William David. 1949. Photometry and the eye (London: Hatton).

GUREVITCH, M. M. 1950. Color and its measuring (USSR Academy of Science Publishing House).

IORDANSKY, A. N., and V. S. TCHELTZOV. 1950. Color in cinema (Gosknigoizdat).

JUDD, Deane B. 1950. Colorimetry, circular 478 (Washington: National Bureau of Standards).

UEMURA, Rokuroo, and K. YAMAZAKI. 1950. Nihon Shikimei Taikan [A survey of Japanese color terms] (Nara: Yotokusha).

BORING, Edwin G. 1951. « A color solid in four dimensions », L’Année Psychologique 50, 293-304.

CHAMBERLIN, Gordon James. 1951. The CIE international colour system explained (Salisbury, England: The Tintometer).

DOURGNON, Jean, and P. KOWALSKI. 1951. La reproduction des couleurs (Paris: Presses Universitaires).

KRAVKOV, S. V. 1951. Color vision (USSR Academy of Sciences Publishing House). German transl., Das Farbsehen (Berlin: Akademie Verlag, 1955).

PÉREZ DOLZ, Francisco. 1951. Teoría de los colores (Barcelona: Meseguer).

PICKFORD, R. W. 1951. Individual differences in colour vision (London: Routledge, and Kegan Paul).

VELS HEIJN, Nicolaas. 1951. Kleurnamen en Kleurbegrippen bij de Romeinen (Utrecht: Kemink en Zoon).

WITTGENSTEIN, Ludwig. a.1951. Bemerkungen über die Farben. English translation by Linda L. McAlister and Margarete Schättle, edited by G. E. M. Anscombe, Remarks on colour (Berkeley: University of California Press – Anscombe, 1977).

ALEKSEYEV, S. S. 1952. Color science (Isskustvo).

GRAVES, Maitland. 1952. Color fundamentals (New York: McGraw-Hill).

HICKETHIER, Alfred. 1952. Farbenordnung Hickethier (Hannover, Germany: H. Osterwald).

JUDD, Deane B., and Gunter WYSZECKI. 1952. Color in business, science, and industry (New York: John Wiley & Sons). 2nd ed. 1963. 3rd ed. 1975.

MURRAY, Humphrey Desmond, ed. 1952. Color in theory and practice (London: Chapman & Hall).

RICHTER, Manfred. 1952. Internationale Bibliographie der Farbenlehre und ihrer Grenzgebiete (Göttingen, Germany).

ROGER, Pierre, and Robert RAT. 1952. Luz y colores. Optica y química, Spanish translation by Juan Carlos Foix (Buenos Aires: Víctor Lerú, 1954).

BUCHWALD, Eberhard. 1953. Fünf Kapitel Farbenlehre (Mosbach/Baden: Physik Verlag).

DIE FARBE (journal). 1953-today.

EVANS, Ralph M., W. T. HANSON, and W. L. BREWER. 1953. Principles of color photography (London: Chapman & Hall).

FURNER, W. 1953. Die Farbe in der Persönlichkeits-Diagnostik (Basel, Switzerland: Test-Verlag). HESSELGREN, Sven. 1953. Colour atlas (Stockholm: T. Palmer).

OPTICAL SOCIETY OF AMERICA, COMMITTEE ON COLORIMETRY. 1953. The science of color (New York: Crowell).

RICHTER, Manfred. 1953. « Das System der DIN-Farbenkarte », Die Farbe 1, 85-98.

WILSON, Robert F. 1953. Colour and light at work (London). German translation, Farbe, Lich und Arbeit (Göttingen, Germany: Musterschmidt, 1956).

HERNE, Alf. A. G. 1954. Die slavischen Farbenbenennungen: Eine semasiologische etymologische Untersuchung (Uppsala: Almqvist and Wiksells).

HESSELGREN, Sven. 1954. Subjective colour standardization (Stockholm: Almqvist & Wiskell).

KAUFMAN, M., and H. THOMAS. 1954. Introduction to colour TV (New York: Rider).

LÉGER, F. 1954. Problems de la couleur (Paris: Dunod).

MINNAERT, Marcel G. J. a.1954. Licht en Kleur in het landschap. English translation by H. M. Kremer-Priest, The nature of light & colour in the open air, (New York: Dover, 1954). New edition, translated by L. Seymour, Light and color in the outdoors (New York: Springer, 1995).

BIRREN, Faber. 1955. New horizons in color (New York: Reinhold Publishing).

FRIELING, Heinrich. 1955. Der Fabenspiegel -ein Schnelltes für Statistik (Göttingen, Germany: Musterschmidt).

GUPTILL, Arthur Leighton. 1955. Color manual for artists (New York: Reinhold Publishing).

KELLY, Kenneth Low, and Deane B. JUDD. 1955. The ISCC-NBS method of designating colors and a dictionary of color names (Washington: Dept. of Commerce, National Bureau of Standards).

KORTÜM, G. 1955. Kolorimetrie, Photometrie und Spektrometrie (Berlin: Springer).

KRAWKOW, G. V. 1955. Das Farbsehen (Berlin: Akademie Verlag).

RICHTER, Manfred. 1955. « The official German standard color chart », Journal of the Optical Society of America 45, 223-226.

SEUFFERT, G. 1955. Farbnamenlexikon von A-Z (Göttingen, Germany: Musterschmidt).

ARENS, Hans. 1956. Farbmetrik (Berlin: Akademie Verlag). English translation by K. H. Ruddock, revised and re-written by the author, Colour measurement (London: The Focal Press, 1967).

BIGGS, Ernest. 1956. Colour in advertising (London: Studio Publications).

FRIELING, Heinrich. 1956. Farbpsychologische Raumgestaltung und Farbdynamik mit Farbenkarte (Göttingen, Germany: Musterschmidt).

FRIELING, Heinrich, and X. AUER. 1956. Mensch-Farbe-Raum (Munich: Callwey).

GATZ, K. 1956. Farbige Raum (Munich).

OEGEMA VAN DER WAAL, Th. 1956. Proeve ener Theoretische Kleurenpsychologie (Amsterdan).

RUDIN, N. G. 1956. Handbook of color science (Gizlegprom).

ARNHEIM, Rudolf. 1957. Art and visual perception (Berkeley: University of California Press). German translation, Kunst und Sehen (Berlin: de Gruyter, 1965). Spanish translation by Rubén Masera, Arte y percepción visual (Buenos Aires: Eudeba, 1987).

BEAUDENEAU, Julie. 1957. Harmonie des couleurs (Paris: Dunod).

DARTNALL, H. J. A. 1957. The visual pigments (London: Menthuen Press).

HURVICH, Leo Maurice, and Dorothea JAMESON. 1957. « An opponent-process theory », Psychology Review 64, 384-390, 397-404.

LE GRAND, Yves. 1957. Light, colour and vision, English translation by R. W. G. Hunt, J. W. Walsh, and F. R. W. Hunt (London: Chapman & Hall). 2nd ed. 1968.

MEYERSON, Ignace, ed. 1957. Problèmes de la couleur: Colloque du Centre de Recherche de Psychologie Comparative (Paris: Sevepem).

PRISME, ed. 1957. Encyclopedie Prisme de la couleur (Paris: Prisme).

SCHULTZE, Werner. 1957. Fabenlehre und Farbmessung (Berlin: Musterschmidt).

DÉRIBÉRÉ, Maurice. 1958. La couleur dans les activités humaines, 2nd ed. (París: Dunod, 1959).

INTERNATIONAL COUNCIL OF SCIENTIFIC UNIONS. 1958. Mechanisms of colour discrimination, Proceedings of an International Symposium, Paris, July 25-29, 1958 (New York: Pergamon Press, 1960).

WITZEMANN, H. M. 1958. Farbige Raumkombinationen (Stuttgart).

BOYER, C. B. 1959. The rainbow from myth to mathematics (New York: Thomas Yoseloff).

EVANS, Ralph M. 1959. Eye, film and camera in color photography (New York: John Wiley & Sons).

LAND, Edwin Herbert. 1959. « Experiments in color vision », Scientific American 200 (5), May, 84-89.

ROUSSEAU, René Lucien. 1959. Les couleurs (Paris: Flammarion).

STEINER, Rudolf. 1959. Uber das Wesen der Farben (Stuttgart).

BERGMANS, J. 1960. Seeing colours (New York: The MacMillan Company).

CAMARERO, Antonio. c.1960. Estética del color en la lengua latina (Bahía Blanca, Argentina: Universidad del Sur).

GUILLERME, Jacques. 1960. Lumière et couleur (Montecarlo).

MATTHAEI, Rupprecht. 1960. Gestalt und Farbe. Gestalthaftes Sehen. Ergebnisse und Aufgaben der Morphologie (Darmstadt, Germany: Wiss. Buchgesellsch).

WYSZECKI, Günter. 1960. Farbsysteme (Göttingen, Germany: Musterschmidt).

BIRREN, Faber. 1961. Color, forms and space (New York: Reinhold Publishing).

BIRREN, Faber. 1961. Color psychology and color therapy (New York: University Books).

BIRREN, Faber. 1961. Creative color. A dynamic approach for artists and designers (New York: Reinhold Publishing).

CARNT, P. S., and G. B. TOWNSEND. 1961. Color television: NTSC principles and practice (London: Illife).

FRIELING, Heinrich. 1961. Farbe hilft verkaufen (Göttingen, Germany: Musterschmidt).

ITTEN, Johannes. 1961. Kunst der Farbe (Ravensburg, Germany: Otto Maier Verlag). English condensed version by Ernstvan Hagen, The elements of color, ed. F. Birren (New York: Van Nostrand Reinhold, 1970).

HEIMENDHAL, E. 1961. Licht und Farbe, Ordnung und Funktion der Farbwelt (Berlin: Walter de Gruyter).

KORNERUP, Andreas, and Johann Heinrich WANSCHER. 1961. Farver i farver. English edition, The Methuen handbook of colour and colour dictionary, 2nd revised ed. (London: Methuen, 1967).

SHARONOV, V. V. 1961. Light and color (Fizmatgiz).

TEEDINGTON ENG. NATIONAL PHYSICAL LABORATORY. 1961. Visual problems of color symposium, 2 vols. (New York: Chemical Publishing Company).

TEEVAN, Richard C., and Robert C. BIRNEY, eds. 1961. Color vision; an enduring problem in psychology (Princeton, New Jersey: Van Nostrand Reinhold).

ALEKSEYEV, S. S. 1962. On color and paints (Isskustvo).

MacKINNEY, G., and A. C. LITTLE. 1962. Color of foods (Westport, Connecticut: Avi Publications).

PFEIFER, H. E. 1962. Solfège de la couleur, 2nd ed. (Paris: Dunod).

RUSHTON, W. A. H. 1962. Visual pigments in man (Liverpool, England: Liverpool University Press).

TAYLOR, F. A. 1962. Colour technology for artists, craftsmen and industrial designers (Oxford, England: Oxford University Press).

ALBERS, Josef. 1963. Interaction of color (New Haven, Connecticut: Yale University Press). Reedited in 1971 and 1975.

BIRREN, Faber. 1963. Color: A survey in words and pictures, from ancient mysticism to modern science (New Hyde Park, New York: University Books).

BURNHAM, Robert W., Randall M. HANES, and James C. BARTLESON. 1963. Color: A guide to basic facts and concepts (New York: John Wiley & Sons).

FRIELING, Heinrich. 1963. Farbe in Kultur und Leben (Stuttgart: Battenberg).

GRADWOHL, Roland. 1963. Die Farben im Alten Testament (Berlin: Alfred Töpelman).

HICKETHIER, Alfred. 1963. Ein-mal-ein der Farbe (Ravensburg, Germany: Maier Verlag). English translation, Color mixing by numbers (New York: Van Nostrand Reinhold).

IVANOV, S. 1963. Seven hours in rainbow (Molodaya Gvardia).

KLAR, H. 1963. Psychologie des couleurs et la médecine (Mannheim: Boehringer).

SABURO-OHBA, S. 1963. On the color emotive value of Japanese people (Tokyo).

SHTEINGAUZ, A. I. 1963. Nine colors of rainbow (Detgiz).

WALRAVEN, Pieter L. 1963. On the mechanisms of colour vision (Soesterberg, The Netherlands: institute for Perception RVO-TNO).

ZEUGNER, G. 1963. Farbenlehre für Maler (Berlin: VEB Verlag für Bauwesen).

BEDA, G. V. 1964. Intertonal and intercolor relationships in paintry (Sovetsky Khudozhnik).

CHARLOT, Gaston. 1964. Colorimetric determination of elements, principles and methods (Amsterdam: Elsevier).

KENNER, Paul. 1964. Color; order and harmony, a color theory for artists and craftmen (London: Studio Vista).

LAND, Edwin Herbert. 1964 « The Retinex theory of color vision », Am. Scient. 52, 247-264.

RABKIN, E. B., and E. SOKOLOVA. 1964. Color around us (Znaniye).

RENNER, Paul. 1964. Color: order and harmony; a color theory for artists and craftsmen (London: Studio Vista).

SCHAIE, K. W., and R. HEISS. 1964. Color and personality (New York: Grune and Stratton).

WALD, G. 1964. « The receptors for human color vision », Science 145, 1007-1017.

BIRREN, Faber. 1965. History of color in painting, with new principles of color expression (New York: Van Nostrand Reinhold).

HUNT, R. W. G. 1965. « Measurement of Color Appearance », Journal of the Optical Society of America 55 (11), 1540-1551.

MÜLLER, Aemilius. 1965. Swiss colour atlas 2541 (Winterthur, Switzerland: Chromos Verlag).

PFEIFER, H. E. 1965. L’harmonie des couleurs (Paris: Dunod).

SMITH, Charles. 1965. Student handbook of color (New York).

VLADIMIROV, A., and N. OSIPOV. 1965. Magic of color (Znaniye).

VOLKOV, N. N. 1965. Color in paintry (Isskustvo).

BILLMEYER, Fred W., and Max SALTZMAN. 1966. Principles of color technology (New York: John Wiley & Sons). 2nd ed. 1981.

HURVICH, Leo Maurice, and Dorothea JAMESON. 1966. The perception of brightness and darkness (Boston: Allyn and Bacon).

FABRI, Ralph. 1967. Color; a complete guide for artists (New York: Watson-Guptill).

FRIELING, Heinrich. 1967. Farbe hilft verkaufen (Göttingen, Germany).

GATZ, K., and G. ACHTERBERG. 1967. Colour and architecture (London: Batsford).

HARDY, A. C. 1967. Colour in architecture (London: Hill).

HELLMAN, Hal. 1967. The art and science of color (New York: McGraw-Hill).

PATCHETT, G. N. 1967. Color television with particular reference to the PAL system (London: Norman Price).

WRIGHT, William David. 1967. The rays are not coloured: essays on the science of vision and colour (London: Hilger).

WYSZECKI, Günter, and W. S. STILES. 1967. Color science: concepts and methods, quantitative data and formulas (New York: John Wiley & Sons). 2nd ed. 1982.

YULE, J. A. C. 1967. Principles of color reproduction applied to photo-mechanical reproduction, color photography and the ink, paper and other related industries (New York: John Wiley & Sons).

AMERICAN CHEMICAL SOCIETY. 1968. Industrial color technology, Symposium at the 156th meeting of the American Chemical Society, Atlantic City, New Jersey, September 11, 1968 (Washington: The Society, 1971).

FRIELING, Heinrich. 1968. Das Gesetz der Farbe (Göttingen, Germany: Musterschmidt).

HAYTEN, Peter J. 1968. El color en la industria (Barcelona: Las Ediciones del Arte).

NIMEROFF, I., and Deane B. JUDD. 1968. Colorimetry (Washington: U.S. National Bureau of Standards).

SHEPPARD, Joseph J. 1968. Human color perception: a critical study of the experimental foundation (New York: Elsevier).

SRIVASTAVA, R. J., and T. S. PEEL. 1968. Human movement as a function of color stimulation (Topeka, Kansas: Environmental Research Foundation).

AIC (Association Internationale de la Couleur). 1969. AIC Color 69, Proceedings of the First Congress, Stockholm, June 9-13, 1969, 2 vols. (Göttingen, Germany: Muster-Schmidt, 1970).

BERLIN, Brent, and Paul KAY. 1969. Basic color terms; their universality and evolution (Berkeley, California: University of California Press).

BIRREN, Faber. 1969. Light, color and the environment (New York: Van Nostrand Reinhold).

BIRREN, Faber. 1969. Principles of color; a review of past traditions and modern theories of color harmony (New York: Van Nostrand Reinhold). 2nd revised ed. (New Chester, Pennsylvania: Schiffer Publ., 1987).

DÉRIBÉRÉ, Maurice. 1969. La couleur dans la publicité et la vente (Paris: Dunod).

FAVRE, J. P. 1969. Richtige Farbe – Erfolgreiche Packung (Zürich: ABC).

ISHIHARA, S. 1969. Test for color blindness (Tokyo: Kanehara Shuppan).

NEMCSICS, Antal. 1969. Chromatics (in Hungarian) (Budapest: Tankönyvkiadó).

PAWLIK, Johannes. 1969. Theorie der Farbe (Köln: DuMont Schauberg).

ARTYUSHIN, L. F. 1970. Fundamentals of color reproduction (Isskustvo).

CORNSWEET, Tom N. 1970. Visual perception (New York: Academic Press).

GERICKE, Lothar, and Klaus SCHÖNE. 1970. Das Phänomen Farbe (Berlin: Henschel).

LÜSCHER, Max. 1970. The Lüscher color test (New York: Random House).

MacADAM, David L., ed. 1970. Sources of colour science (Cambridge, Massachusetts: The MIT Press).

MOTOKAWA, K. 1970. Physiology of color and pattern vision (Berlin: Springler).

PIRENNE, Maurice Henri. 1970. Optics, paintings & photography (London: Cambridge University Press).

ALLEN, Reginald Lancelot M. 1971. Colour chemistry (New York: Appleton-Century-Crofts).

CIE (COMMISSION INTERNATIONALE DE L’ÉCLAIRAGE). 1971. Colorimetry, official recommendations of the CIE, Publ. CIE No 15 (Paris:Central Bureau of the CIE).

CRUZ, A. 1971. El color: su medida y problemas actuales (Arbor).

DEN TANDT, J. B. 1971. Vorm en Kleur bij het Kind (Antwerpen, Belgium: Standaard Uitgeverij).

KANAYER, I. I. 1971. The color vision physiology problem history from antiquity to XXth century (Nauka).

LOEB, Arthur L. 1971. Color and symmetry (New York: Wiley).

MATTHAEI, Rupprecht. 1971. Goethe’s color theory (New York: Van Nostrand Reinhold).

RAINWATER, C. 1971. Light and color (New York: Golden Press).

SIMON, H. 1971. The splendor of iridescence, structural colors in the animal world (New York: Dodd, Mead).

TRITTEN, Gottfried. 1971. Teaching color and form (New York).

BECK, Jacob. 1972. Surface color perception (Ithaca, New York: Cornell University Press).

CLULOW, Frederik W. 1972. Colour: Its principles and their applications (London: Morgan & Morgan).

FABRIS, S., and R. GERMANI. 1972. Colore, disegno ed estetica nell’arte grafica (Torino: SEI-CITS R/GEC).

FAULKNER, Waldron. 1972. Architecture and color (New York: John Wiley & Sons).

GROB, Walter Oskar. 1972. Farbenlehre für Malende (Zürich: Freie Kunstschule).

JONES, Tom Douglas. 1972. The art of light and color (New York: Van Nostrand Reinhold).

JOURNAL OF COLOR AND APPEARANCE. 1972 – *.

KÜPPERS, Harald. 1972. Farbe – Ursprung, Systematik, Anwendung (Munich: Callwey). English translation by F. Bradley, Color: origin, systems, uses (London: Van Nostrand Reinhold, 1973).

MARX, Ellen. 1972. Les contrastes de la couleur (Paris: Dessain et Tolra). English translation, The contrast of colors (New York: Van Nostrand Reinhold, 1973).

McDANIEL, Chad K. 1972. Hue perception and hue naming (Harvard College, honors thesis).

PETRENKO, A., and V. FESECHKO. 1972. Objects colors recognition techniques and equipment (Energya).

VOS, J. J., L. F. C. FRIELE, and P. L. WALRAVEN, eds. 1972. Colour metrics (Soesterberg, The Netherlands).

AIC (Association Internationale de la Couleur). 1973. AIC Color 73, Proceedings of the Second Congress, University of York, July 2-6, 1973 (New York: John Wiley & Sons).

INDOW, Tarow. 1973. Colour atlas and colour scaling (London: Hilger).

JAPAN COLOR RESEARCH INSTITUTE. 1973. Design color for architecture (Tokyo: Nihon Shikiken Enterprise).

SOCIETY OF DYERS AND COLORISTS. 1973. Colour terms and definitions (Bradford, England: The Society).

ALBERT-VANEL, Michel. 1974. Couleur-lumière (Paris: Ecole des Arts Décoratifs).

ALBRECHT, Hans Joachin. 1974. Farbe als Sprache (Köln: Du Mont Schauberg).

EVANS, Ralph M. 1974. The perception of color (New York: John Wiley & Sons).

FRIELING, Heinrich. 1974. Farbe im Raum (Munich: Callwey).

FRIELING, Heinrich, and E. Th. SCHMIDT. 1974. Der Frieling-Test (Göttingen, Germany).

GATTO, Joseph. 1974. Color and value: Design elements (Massachusetts).

GERRITSEN, Frans. 1974. Het Fenomeen Kleur (De Bilt, The Netherlands: Cantecleer bv). English translation by Ruth de Vriendt, Theory and practice of color (New York: Van Nostrand Reinhold, 1975). 2nd English revised ed. 1983.

JAPAN COLOR RESEARCH INSTITUTE. 1974. Chart system of color names (Tokyo).

LIBBY, William Charles. 1974. Color and the structural sense (Englewood Cliffs, New Jersey: Prentice-Hall).

METELLI, Fabio. 1974. « The perception of transparency », Scientific American 230 (4), April, 90-98.

PAWLIK, Johannes. 1974. Goethe – Farbenlehre (Köln: Du Mont).

POPE, Arthur, Howard T. FISHER, and James M. CARPENTER. 1974. Color in art (Cambridge, Massachusetts: Fogg Art Museum, Harvard University).

SHARPE, Deborah T. 1974. The psychology of color and design (Chicago: Nelson-Hall).

SIVIK, Lars. 1974. Measuring the meaning of colors: Problems of semantic bipolarity (Göteborg, Sweden: University of Göteborg, Göteborg Psychological Reports vol. 4 Nº 12).

VELHAGEN, Karl. 1974. Tafeln zur Prüfung des Farbensinns (Stuttgart: Georg Thieme).

ARNOLD, W. 1975. Farbgestaltung (Berlin: Verlag für Bauwesen).

BUCKLEY, Mary. 1975. Color theory: A guide to information sources (Detroit: Gale Research Co.).

CIE (Commission Internationale de l’Éclairage). 1975. Colors of light signals: official recommendations (Paris: Central Bureau of the CIE).

FARBE+DESIGN, Informationen zur Gestaltung mit Farbe (journal). 1975-.

FRANCIS, F. J., and F. M. CLYDESDALE. 1975. Food colorimetry: Theory and applications (Westport, Connecticut: Avi Publhishing Co.).

FRIELING, Heinrich, and E. RIB. 1975. Weltbild Farbe (Göttingen, Germany).

HUNTER, Richard S. 1975. The measurement of appearance (New York: John Wiley).

JACOBSEN, N. 1975. The sense of color. A portfolio of visuals (New York: Van Nostrand Reinhold).

JAPAN COLOR RESEARCH INSTITUTE. 1975. Harmonic color charts (Tokyo).

KUEHNI, Rolf G. 1975. Computer colorant formulation (Lexington, Massachusetts: Lexington Books).

PADGHAM, C. A., and J. E. SAUNDERS. 1975. The perception of light and colour (New York: Academic Press).

BIRREN, Faber. 1976. Color perception in art (New York: Van Nostrand Reinhold).

COLOR RESEARCH AND APPLICATION (journal). 1976-today.

KÜPPERS, Harald. 1976. Die Logik der Farbe (Munich: Callwey).

LEMONNIER, André. 1976. Echelles et Schémas. Couleur (Paris: Centre Pompidou).

PORTER, Tom, and Byron MIKELLIDES, eds. 1976. Colour for architecture (London: Studio Vista).

POWELL, William F. 1976. Understanding color (Laguna Hills, California: Walter Foster Publishing).

RICHTER, Manfred. 1976. Einführung in die Farbmetrik (Berlin: Mouton de Gruyter).

SIVIK, Lars. 1976. Distances between colors: A comparison of different structures (Göteborg, Sweden: Universitet).

AIC (Association Internationale de la Couleur). 1977. AIC Color 77, Proceedings of the Third Congress, Troy, New York, July 10-15, 1977, eds. F. W. Billmeyer Jr. and G. Wyszecki (Bristol, England: Adam Hilger, 1978).

BRUNO, Vincent J. 1977. Form and color in Greek painting (New York: W. W. Norton).

CAIRO, James E. 1977. The neurophysiological basis of basic color terms (SUNY, Binghamton, Ph.D. dissertation).

JAPAN COLOR RESEARCH INSTITUTE. 1977. Color arrangement for interiors (Tokyo).

LÜSCHER, Max. 1977. Der Vierfarbenmensch oder der Weg zum inneren Gleichgewicht (Munich: Mosaik-Verlag).

PROSKAUER, H. O. 1977. Zum Studium von Goethes Farbenlehre (Basilea: Zbinden Verlag).

BIRREN, Faber. 1978. Color & human response: Aspects of light and color bearing on the reactions of living things and the welfare of humans beings (New York: Van Nostrand Reinhold).

FRIEDMAN, J. M. 1978. Color printing in England 1486-1870 (New Haven, Connecticut: Yale Center for British Art).

JAPAN COLOR RESEARCH INSTITUTE. 1978. Chroma Cosmos 5000 (Tokyo).

KÜPPERS, Harald. 1978. DuMont’s Farben Atlas (Köln: DuMont Buchverlag). English edition translated by Roger Marcinik, Color atlas: A practical guide for color mixing (Woodbury, New York: Barrons, 1982).

KÜPPERS, Harald. 1978. Das Grundgesetz der Farbenlehre (Köln: DuMont Buchverlag). English translation, The basic law of color theory (Woodbury, New York: Barron’s, 1982).

LANG, Heinwig. 1978. Farbmetrik und Farbfernsehen (Munich: Oldenbourg).

LOZANO, Roberto Daniel. 1978. El color y su medición (Buenos Aires: Américalee).

STILES, W. S. 1978. Mechanisms of colour vision (London: Academic Press).

TSUKADA, Kan. 1978. Shinrisai no Bigaku [Aesthetics of colors] (Tokyo: Kinokuniya Shoten).

WASSERMAN, Gerald S. 1978. Color vision: an historical introduction (New York: John Wiley & Sons).

AGOSTON, George A. 1979. Color theory and its application in art and design (Berlin: Springer). 2nd ed. revised and updated, 1987.

BOYNTON, R. M. 1979. Human color vision (New York: Holt and Rinehart-Winston).

MARTIN, Maurice. 1979. Die Kontroverse um die Farbenlehre (Switzerland: Novalis Verlag).

MATILE, H. 1979. Die Farbenlehre Philipp Otto Runges, 2nd ed. (Munich: Mäander-Verlag).

SWEDISH STANDARDS INSTITUTION. 1979. NCS colour atlas, Swedish Standard SS 01 91 02 (Stockholm: SIS), 3rd ed. 1996.

TORNAY, Serge, ed. 1979. Voir et nommer les couleurs (Paris: Edition Nanterre).

WALCH, Margaret. 1979. The colour source book (Thames and Hudson).

BARTLESON, C. James., and F. GRUM. 1980. Optical radiation measurement: 2. Color measurement (New York: Academic Press).

BIRREN, Faber. 1980. The textile colorist (New York: Van Nosstrand Reinhold).

BRINO, Giovanni, and Franco ROSSO. 1980. Colore e cittá. Il piano del colore di Torino 1800-1850 (Milano: Idea Books).

CHAMBERLIN, Gordon James. 1980. Colour, its measurement, computation, and application (London: Heyden).

DÜTTMAN, Martina, Friedrich SCHMUCK, and Johannes UHL. 1980. Farbe im Stadtbild (Berlin: Archibook Verlagsgesellschaft).

ELLINGER, R. E. 1980. Color, structure and design (New York: Van Nostrand Reinhold).

IZMAILOV, C. A. 1980. Spherical model of color recognition mechanism (MGU Press).

OSBORNE, Roy. 1980. Lights and pigments, colour principles for artists (London: John Murray).

VARLEY, H., ed. 1980. Colour (Mitchell Beazley).

VERITY, Enid. 1980. Color observed (New York: Van Nostrand Reinhold).

WILLUMSEN, U. 1980. Different colour theories and systems (Sandefjord, Norway: Nork Farveforum).

GERICKE, L., O. RICHTER, and K. SCHÖNE. 1981. Farbgestaltung in der Arbeitsumwelt (Berlin: Tribüne).

GRUM, F., and R. BECHERER. 1981. Optical radiation measurement: 1. Radiometry (New York: Academic Press).

HÅRD, Anders, and Lars SIVIK. 1981. « NCS-Natural Color System: A Swedish Standard for Color Notation », Color Research and Application 6 (3), 129-38.

HESS, Walter. 1981. Das Problem der Farbe in Selbstzeugnissen der Maler von Cézanne bis Mondrian (Mittenwald: Mäander Kunstverlag).

HURVICH, Leo Maurice. 1981. Color vision (Sunderland, Massachusetts: Sinauer Associates).

JACOBS, G. H. 1981. Comparative color vision (Toronto: Academic Press).

JAPAN COLOR RESEARCH INSTITUTE. 1981. Chromaton 707 (Tokyo).

KÜLLER, R. 1981. Non-visual effects of light and colour: Annotated bibliography (Stockholm: Swedish Council for Building Research).

MacADAM, David L. 1981. Color measurement: Theme and variations (Berlin: Springer).

MAXWELL-STUART, P. B. 1981. Studies in Greek colour terminology, 2 vols. (Leiden: E. J. Brill).

SHERMAN, Paul D. 1981. Colour vision in the nineteenth century: the Young-Helmholtz-Maxwell theory (Bristol, England: Adam Hilger).

SOCIETY OF DYERS AND COLORISTS. 1981. Golden jubilee of colour in the CIE (Bradford, England: The Society).

WARFEL, William B., and Walter R. KLAPPERT. 1981. Color science for lighting the stage (New Haven: Yale University Press).

BRENNER, Athalya. 1982. Color terms in the Old Testament (Sheffield, England: Sheffield Academic Press).

LUKACS, Georgy. 1982. Colorimetry (in Hungarian) (Budapest: Müszaki Kiadó).

MARX, Ellen. 1982. Couleur optique. English translation by Geoffrey O’Brien, Optical color & simultaneity (New York: Van Nostrand Reinhold, 1983).

OVERHEIM, R. Daniel, and David L. WAGNER. 1982. Light and color (New York: John Wiley & Sons).

PORTER, Tom. 1982. Architectural color: A design guide to using color on buildings (New York: Whitney Library of Design).

PORTER, Tom. 1982. Colour outside (London: Architectural Press).

BLAY, Michel. 1983. La conceptualisation Newtonienne des phénomènes de la couleur (Paris: Librairie Philosophique J. Vrin).

BRUSATIN, Manlio. 1983. Storia dei colori (Torino: Giulio Einaudi).

FADEYEV, G. N. 1983. Chemistry and color (Prosveshenye).

HÅRD, Anders, and Lars SIVIK, eds. 1983. Colour report F26. The Forsius Symposium on Colour Order Systems (Stockholm: Scandinavian Coloir Institute).

HEALEY, D. 1983. Living with colour (London: MacMillan).

KUEHNI, Rolf G. 1983. Color, essence and logic (New York: Van Nostrand Reinhold).

MARX, Ellen. 1983. Couleur optique (Paris: Dessain et Tolra). English translation by Geoffrey O’Brien, Optical color & simultaneity (New York: Van Nostrand Reinhold, 1983).

McLAREN, Keith. 1983. The colour science of dyes and pigments (Bristol, England: Adam Hilger). 2nd ed. 1986.

MOLLON, J. D., and L. T. SHARPE, eds. 1983. Colour vision: Physiology and psychophysics (London: Academic Press).

NASSAU, Kurt. 1983. The physics and chemistry of color: The fifteen causes of color (New York: John Wiley & Sons).

SPRONSON, W. N. 1983. Colour science in television and display systems (Bristol, England: Adam Hilger).

WILLIAMSON, Samuel J., and Hermann Z. CUMMINS. 1983. Light and color in nature and art (New York: John Wiley).

ZRENNER, Eberhart. 1983. Neurophysiological aspects of color vision in primates (New York: Springer).

BRILL, Michel H. 1984. « Physical and informational constraints on the perception of transparency and translucency », Computer Vision,Graphics, and Image Processing 28, 356-362.

DE GRANDIS, L. 1984. Teoria e uso del colore (Milano: Mondadori). English translation by J. Gilbert, Theory and use of colour (England, 1986).

FRUMKINA, R. M. 1984. Color sense, similarity: Psycholinguistic analysis aspects (Nauka).

GARAU, Augusto. 1984. Le armonie del colore (Milano: Giangiacomo Feltrinelli). English translation by Nicola Bruno, Color harmonies (Chicago: The University of Chicago Press, 1993).

KOBAYASHI, Shigenobu. 1984. Colour image coordination book (Tokyo: Nippon Color and Design Research Institute).

MIRONOVA, L. N. 1984. Color science manual (Vysheysha Shkola).

PAVEY, D. 1984. The artist’s colourmen’s story (Reckitt & Colman).

POWELL, William F. 1984. Color, and how to use it (Laguna Hills, California: Walter Foster Publishing).

AIC (Association Internationale de la Couleur). 1985. Mondial Couleur 85, Proceedings of the Fifth Congress (Paris: Centre Francais de la Couleur).

ASHKENAZI, G. I. 1985. Color in nature and in technology (Energoatomizdat).

FLETCHER, R., and J. VOKE. 1985. Defective colour vision (London: Adam Hilger).

HICKETHIER, Alfred. 1985. Le cube des couleurs (Paris: Dessain et Tolra).

LILIEN, Otto M. 1985. Jacob Christoph Le Blon, 1667-1741: inventor of three and four color printing (Stuttgart: A. Hiersemann).

OTTOSON, D., and S. ZEKI. 1985. Central and peripheral mechanisms of color vision (London: MacMillan).

ROSSOTTI, Hazel. 1985. Colour -why the world isn’t gray (Princeton: Princeton University Press).

SANZ, Juan Carlos. 1985. El lenguaje del color (Madrid: Hermann Blume).

SIDELINGER, S. 1985. Color manual (Englewood Cliffs, New Jersey: Prentice-Hall).

STEPANO, N. N. 1985. Color usage in interior (Visha Shkola Publishing House).

ZWIMPFER, Moritz. 1985. Farbe, Licht, Sehen, Empfinden (Bern: Paul Haupt). English translation, Color, light, sight, sense (West Chester, Pennsylvania: Schiffer, 1988).

ALLEN, Jeanne. 1986. Designer’s guide to color 3 (San Francisco: Chronicle Books).

BURGESS, C., and K. D. MIELENZ, eds. 1986. Advances in standards and methodology in spectrophotometry, Proceedings of the First Joint Conference of the UV Spectrometry Group of the United Kingdom and the Council of Optical Radiation Measurements of the United States, Oxford, September 14-17, 1986 (New York: Elsevier).

CIE (Commission Internationale de l’Éclairage). 1986. Colorimetry, 2nd ed., Publ. CIE No 15.2 (Wien: Central Bureau of the CIE).

CIE (Commission Internationale de l’Éclairage). 1986. Standard on colorimetric illuminants, Publ. CIE No S 001 (Wien: Central Bureau of the CIE).

CIE (Commission Internationale de l’Éclairage). 1986. Standard on colorimetric observers, Publ. CIE No S 002 (Wien: Central Bureau of the CIE).

GERSTNER, Karl. 1986. The forms of color (Cambridge, Massachusetts: The MIT Press).

LEE, H. K. 1986. The glamour of color (in Chinese) (Taipei: Hann Colour).

MacLAURY, Robert E. 1986. Color in Mesoamerica (University of California, Berkeley, Ph.D. dissertation).

RICHTER, Manfred, and Klaus WITT. 1986. « The story of the DIN color system », Color Research and Application 11, 138-145.

SHASHLOV, B. A. 1986. Color and its reproduction (Kniga).

WOHLFAHRT, H. 1986. Colour and light effects on students’ achievement, behaviour, and physiology (Edmonton, Canada: Alberta Education).

AIC (Association Internationale de la Couleur). 1987. Proceedings of the AIC Interim Meeting 1987, Florence, Italy, June 10-13 (Göttingen, Germany: Muster-Schmidt).

BUNTINX, Leopoldo A. 1987. Curso de teoría del color y su aplicación en dibujo y pintura (Buenos Aires: Panamericana).

DANGER, E. P. 1987. The colour handbook (Aldershot: Gower Technical Press).

DURRETT, H. John, ed. 1987. Color and the computer (San Diego, California: Academic Press).

GERRITSEN, Frans. 1987. Evolutie van de kleurenleer. English translation by Edward Force and Ruth de Vriendt, Evolution in color (West Chester, Pennsylvania: Schiffer, 1988).

HILBERT, David R. 1987. Color and color perception: A study in anthropocentric realism (Stanford, California: Center for the Study of Language and Information).

HUNT, R. W. G. 1987. Measuring colour (Chichester, England: Ellis Horwood). 2nd ed. 1991.

KOBAYASHI, Shigenobu. 1987. A book of colors (Tokyo: Kodansha International).

KOCH, E., and G. WAGNER. 1987. Die Individualität der Farbe (Sttutgart: Freies Geistesleben).

KÜPPERS, Harald. 1987. Der grosse Küppers-Farbenatlas (Munich: Callwey).

MAHNKE, Frank H., and Rudolf H. MAHNKE. 1987. Color and light in man-made environments (New York: Van Nostrand Reinhold).

McDONALD, Roderick, ed. 1987. Color physics for industry (Bradford, England: Society of Dyers and Colourists).

SAINT-MARTIN, Fernande. 1987. Sémiologie du langage visuel (Montreal: Presses de l’Université du Québec). English translation, Semiotics of visual language (Bloomington, Indiana: Indiana University Press, 1990).

STANLAW, James M. 1987. Color, culture, and contact: English loanwords and problems of color nomenclature in modern Japanese (University of Illinois, Champaign, Ph.D. dissertation).

WESTPHAL, Jonathan. 1987. Colour: Some philosophical problems from Wittgenstein (London: Basil Blackwell). 2nd ed. 1991, entitled Colour: a philosophical introduction.

ZOLLINGER, Heinrich. 1987. Color chemistry (New York: VCH Publishers).

BENNETT, T. J. A. 1988. Aspects of English colour collocations and idioms (Heidelberg: Carl Winter).

COLORCURVE SYSTEMS INC. 1988. Colorcurve master atlas (Minneapolis: Colorcurve Systems Inc.).

GEKELER, H. 1988. Handbuch der Farbe (Köln: Du Mont).

GROSSMANN, Maria. 1988. Lessico e colori. Studi sulla struttura semantica degli aggettivi di colore in catalano, castigliano, italiano, romeno, latino ed ungherese (Tübingen: Gunter Narr).

HARDIN, Clyde L. 1988. Color for philosophers: Unweaving the rainbow (Indianapolis: Hackett).

HIHARA, H., A. KODAMA, and H. MATSUI. 1988. Interior color coordination system (Ibaraki-Ken, Japan: Industrial Products Research Institute).

HUNT, R. W. G. 1988. The reproduction of colour in photography, printing and television (Tolworth, England: Fountain Press).

NEMCSICS, Antal. 1988. Coloroid colour atlas (Budapest: Innofinance).

SEPPER, Dennis L. 1988. Goethe contra Newton: Polemics and the project for a new science of color (New York: Cambridge University Press).

SWIRNOFF, Lois. 1988. Dimensional color (Boston: Birkhauser, Design Science Collection).

AIC (Association Internationale de la Couleur). 1989. AIC Color 89, Proceedings of the 6th Congress, Buenos Aires 1989, 2 vols. (Buenos Aires: Grupo Argentino del Color).

COMITE ESPAÑOL DEL COLOR. 1989. Actas del I Congreso Nacional del Color, Logroño, Spain, June 19-21, 1989 (Madrid: Comité Español del Color, SEDO).

HALL, Roy. 1989. Illumination and color in computer generated imagery (New York: Springer).

HIRSCH, Robert. 1989. Exploring color photography (Dubuque, Iowa: Wm. C. Brown).

IZMAILOV, C. A., E. N. SOKOLOV and A. M. CHERNORIZOV. 1989. Color vision psychophysiology (MGU Press).

KULIKOWSKI, J. J., C. M. DICKINSON, and I. J. MURRAY. 1989. Seeing contour and colour (Oxford, England: Pergamon Press).

KÜPPERS, Harald. 1989. Harmonielehre der Farben (Köln: DuMont).

NEMCSICS, Antal. 1989. Colour design (in Hungarian) (Budapest: Ministry of Building and Urban Planning).

NEMSER, Cindy. 1989. Ben Cunningham: A life with color (Post, Texas: JPL Art Publishers).

SLOANE, Patricia. 1989. The visual nature of color (New York: Design Press).

ZELANSKI, P., and M. FISHER. 1989. Color (Englewood Cliffs, New Jersey: Prentice-Hall).

BRILL, Michael H., ed. 1990. Perceiving, measuring, and using color: Proceedings, SPIE/International Society for Optical Engineers (Bellingham, Washington: SPIE).

DA POS, Osvaldo. 1990. Trasparenze (Padova, Italy: Icone).

EISEMAN, Leatrice. 1990. The pantone book of color (New York: H. N. Abrams).

ESPEJO, María del Mar. 1990. Los nombres de los colores en español. Estudio de lexicología estructural (Granada, Spain: Universidad de Granada).

HOPE, Augustine, and Margaret WALCH, eds. 1990. The color compendium (New York: Van Nostrand Reinhold).

NEMCSICS, Antal. 1990. Színdinamika (Budapest: Akadémiai Kiadó). English translation by G. Nagy, Colour dynamics (Budapest: Akadémiai Kiadó, 1993).

SEROV, N. V. 1990. Mythos chromatism (Vasilyevsky Ostrov).

VÖLZ, Hans G. 1990. Industrielle Farbprüfung (Weinheim, Germany: VCH). English translation by Ben Teague, Industrial color testing. Fundamentals and techniques (Weinheim, Germany: VCH, 1995).

BARBERIS, Maurizio. 1991. Teorie del colore. Frammenti per un’analisi fenomenologica (Bologna, Italy: Società Editrice Esculapio).

DAVIDOFF, Jules. 1991. Cognition through color (Cambridge, Massachusetts: The MIT Press).

GOURAS, Peter, ed. 1991. The perception of color (Boca Raton: CRC Press).

HUTCHINGS, John B., and Juliette WOOD, eds. 1991. Colour and appearance in folklore (London: The Folklore Society, University College).

IRTEL, Hans. 1991. Psychophysische Invarianzen in der Farb und Helligkeitswahrnehmung (Heildelberg: Springer).

KOBAYASHI, Shigenobu. 1991. Color image scale (Tokyo: Kodansha International).

LAMBERT, P. 1991. Controlling color (New York: Design Press).

ROCHON, Richard, and Harold LINTON. 1991. Color in architectural illustration (New York: Van Nostrand Reinhold).

TRAVIS, D. 1991. Effective colour displays (London: Academic Press).

FRENCH, Chris N. 1992. The computer book of color (Manchester: UMIST).

HALL, M. 1992. Color and meaning (Cambridge, England: Cambridge University Press).

KAUFMAN, D., and T. DAHL. 1992. Color: natural palettes for painted room (New York: Clarkson/Potter Publications).

OPTICAL SOCIETY OF AMERICA. 1992. Advances in color vision technical digest (Washington DC: Optical Society of America, OSA Technical Digest Series vol. 4).

SAUNDERS, Barbara A. C. 1992. The invention of basic colour terms (Utrecht: Interdisciplinary Social Science Research Institute).

TAFT, Charles, and Lars SIVIK. 1992. Cross-national comparisons of color meaning (Göteborg, Sweden: University of Göteborg, Göteborg Psychological Reports vol. 22. Nº 3).

WIDDEL, Heino, and David L. POST, eds. 1992. Color in electronic displays (New York: Plenum Press).

WYLER, Siegfried. 1992. Colour and language: Colour terms in English (Tübingen: Gunter Narr).

AIC (Association Internationale de la Couleur). 1993. AIC Colour 93, Proceedings of the 7th Congress, Budapest, June 13-18, 1993, 3 vols., eds. A. Nemcsics and J. Schanda (Budapest: Hungarian National Colour Committee).

CIE (Commission Internationale de l’Éclairage). 1993. Proceedings of the CIE Symposium on Advanced Colorimetry, June 8-10, 1993, eds. J. Schanda and C. Hermann, CIE Publ. x007 (Wien: CIE).

ELIE, Maurice. 1993. Lumière, couleurs et nature (Paris: Vrin).

GAGE, John. 1993. Color and culture: Practice and meaning from antiquity to abstraction (Boston: Little, Brown, and Co.).

HUTCHINGS, John B. 1993. Food colour and appearance (London: Chapman & Hall).

KLINKER, Gudrun J. 1993. A physical approach to color image understanding (Wellesley, Massachusetts: A. K. Peters).

SANZ, Juan Carlos. 1993. El libro del color (Madrid: Alianza).

CAIVANO, José Luis, Gustavo A. DEFEO, and Roberto Daniel LOZANO, eds. 1994. ArgenColor 1992, Actas del Primer Congreso Argentino del Color (Buenos Aires: Grupo Argentino del Color).

COMITE ESPAÑOL DEL COLOR. 1994. Actas del III Congreso Nacional del Color, Granada, Spain, September 12-13, 1994 (Madrid: Comité español del Color, SEDO).

JACKSON, R., L. MacDONALD, and K. FREEMAN. 1994. Computer generated color – A practical guide to presentation and display (New York: John Wiley & Sons).

THOMPSON, Evan. 1994. Colour vision: A study in cognitive science and philosophy of science (London: Routledge).

ARNKIL, Harald, and Esa HÄMÄLÄINEN. 1995. Aspects of colour (Helsinki: University of Art and Design).

BURGESS, C., and D. G. JONES. 1995. Spectrophotometry, luminescence and colour; science and compliance (New York: Elsevier).

CAIVANO, José Luis. 1995. Sistemas de orden del color (Buenos Aires: Secretaría de Investigaciones, Facultad de Arquitectura, Diseño y Urbanismo, UBA).

HAWKYARD, C. J., ed. 1995. Colour communication UMIST 1995, Proceedings of the Colour Communication Conference (Manchester: UMIST).

HOLTZCHUE, Linda. 1995. Understanding color: An introduction for designers (New York: Van Nostrand Reinhold).

LAMB, Trevor, and Janine BOURRIAU, eds. 1995. Colour: Art and science. The 1993 Darwin lectures (Cambridge, England: Cambridge University Press).

LANG, Heinwig. 1995. Farbwiedergabe in der Medien (Göttingen, Germany: Muster-Schmidt).

LIVINGSTON. 1995. Color and light in nature (Cambridge, England: Cambridge University Press).

MAUND, Barry. 1995. Colours: their nature and representation (New York: Press Syndicate, University of Cambridge).

RILEY, Charles A. 1995. Color codes: Modern theories of color in philosophy, painting and architecture, literature, music, and psychology (Hanover: University Press of New England).

AVILA, María Mercedes, and Marta R. POLO. 1996. Color urbano: Indagaciones en ámbitos de la ciudad de Córdoba (Córdoba, Argentina: Eudecor).

ASTM (American Society for Testing Materials). 1996. ASTM Standards on color and appearance measurement, 5th ed. (West Conshohocken, Pennsylvania: ASTM).

CAIVANO, José Luis, and Roberto Daniel LOZANO, eds. 1996. ArgenColor 1994, Actas del Segundo Congreso Argentino del Color (Buenos Aires: Grupo Argentino del Color).

ESPEJO, María del Mar. 1996. Los nombres de color en la naturaleza (Granada, Spain: Universidad de Granada).

FORTNER, B., and T. MEYER. 1996. Number by colors. A guide to using color to understand technical data (New York: Springer).

LANCASTER, Michael. 1996. Colourscape (London: Academy Editions).

MORENO RIVERO, Teresa. 1996. El color: historia, teoría y aplicaciones (Barcelona: Ariel).

STROMER, Klaus, and Urs BAUMANN. 1996. Color systems in art and science (Konstanz, Germany: Regenbogen Verlag).

SWEDISH STANDARDS INSTITUTION. 1996. NCS colour atlas 96, 3rd ed., Swedish Standard SS 01 91 02 (Stockolm: SIS).

TOY, Maggie, ed. 1996. Colour in architecture (London: Academy Editions).

AIC (Association Internationale de la Couleur). 1997. AIC Color 97, Proceedings of the 8th Congress, Kyoto, May 25-30, 1997, 2 vols. (Kyoto: The Color Science Association of Japan).

BOURGES, Jean. 1997. Color bytes (Forest Hills, New York: Chromatics Press).

BRUNS, Margarete. 1997. Das Rätsel Farbe: Materie und Mythos (Stuttgart: Reclam).

BYRNE, Alex, and David GILBERT, eds. 1997. Readings on color, 2 vols., vol. 1, The phylosophy of color, vol. 2, The science of color (Cambridge, Massachusetts: The MIT Press).

CIE (Commission Internationale de l’Éclairage). 1997. CIE collection in colour and vision, CIE Publ. 124 (Wien: CIE).

COMITE ESPAÑOL DEL COLOR. 1997. Actas del IV Congreso Nacional del Color (Badajoz: Universidad de Extremadura).

MacLAURY, Robert E. 1997. Color and cognition in Mesoamerica: Constructing categories as vantages (Austin: University of Texas Press).

ODEDA, Rosenthal, and Robert H. PHILLIPS. 1997. Coping with color-blindness: Sound helpful information for those who must deal with inherited or acquired color vision confusion (Avery).

SIVIK, Lars, ed. 1997. Colour and psychology. From AIC Interim Meeting 96 in Gothenburg (Stockholm: Scandinavian Colour Institute, Colour Report F50).

CAIVANO, José Luis, María M. AVILA, and Patricia DORIA, eds. 1998. ArgenColor 1996, Actas del Tercer Congreso Argentino del Color (Buenos Aires: Grupo Argentino del Color).

NASSAU, Kurt, ed. 1998. Color for science, art and technology (Amsterdam: Elsevier).